1) How quickly I had to get THERE.
2) How quickly I had to get AWAY.
3) The cats.
4) The weather.
If It was a lazy day and the hot, sticky summer boredom had set in it was usually a rambly walk. Mooing at the cows as I passed The Farm, stopping to pet the horses by the Quonset hut. Never going too fast.
If I was angry at anyone in the house it was a stompy, steam-blowing walk. With just the right amount of time to loose the bad mood somewhere between the Quonset hut at The Farm and the turn onto B and L's driveway.
If it was a day to be DOING something it was a hair-flying, legs-pumping, quick-as-possible bike ride.
If it was a lazy day spent on the deck with the cats, and the cats wanted more and more and more and more attention, it was a race-down-the-driveway-without-a-backwards-glance, over the hill and... coast kind of bike ride.
However the journey happened it always took the same route. Over county road 3; past the park with the communal bonfire pit that used to be a dime store; down the dirt road and past The Farm (waving to Chip, Jay or Aunt Marge); over the hill that opens up the view to B and L's.
There must be magic at the top of that hill. The anticipation grows because at the top of the hill the property appears. The goats, the grain sheds, the gardens, the studio, the house, and, depending on the year, the cats, Bozo or Hattie and Floyd.
My eyes would scan the property looking for signs of life, maybe L walking over to Clarence's or B in the garden or studio. At the top of that hill your eyes play tricks with you, you can't trust them. They tell you 'yes, they're home,' and 'no, they're not' at the same time. Seeing a vehicle doesn't mean anything, I would need proof. Proof in human form. Proof that the portal HAD opened for me. Ready to take me to that day's Adventure.
Some days it was sitting in the studio watching B throw pots for hours. Watching her hands as they expertly molded a lump of clay into whatever shape she had in her mind, as they painted bugs, birds, and patterns onto finished pieces. When I was little she would let my sisters and I paint clay tiles and she would fire them in the kiln. They would come out with the same picture we had painted on them, but with a glossy sheen that made it seem like the magic was something we could take home with us.
Other days it would be helping L with house projects. Any project would do as long as he was willing to have a tag-along helper. I learned how to shingle a house, drive a back-hoe, and put in tile flooring, all before I was 16. I could spend days following L from house to garage to Clarence's and back again, learning whatever he would teach me, hoping that at some point we could stop in the house for soda and snacks.
B and L moved to Idaho a few years ago, but their property will always be magical for me, the place where childhood always lives, where anything is possible and inquisitiveness is practically required. I hold the feeling of that property with me, carrying it so that when I need to be a child again I have the magic inside, easily accessible. Easily sharable with the people in my life who need to have a little bit of childhood given back to them. Magic stemming from two of the most important people in my life. Magic that I can share and pass on to the next children who need a little magic in theirs.
